Reba McEntire and Darius Rucker set the CMA Awards stage ablaze with their moving rendition of “In The Ghetto,” paying sincere tribute to the iconic Mac Davis.

In November 2020, during the 54th Annual Country Music Association (CMA) Awards, co-hosts Reba McEntire and Darius Rucker delivered a moving rendition of “In the Ghetto,” paying tribute to the late songwriter Mac Davis. Originally written by Davis and made famous by Elvis Presley in 1969, the song depicts the recurring challenges of poverty and violence in urban areas. McEntire and Rucker’s performance deeply resonated, emphasizing the song’s lasting significance.

Reba McEntire, often referred to as the “Queen of Country,” has a career that spans over forty years. Born in 1955 in McAlester, Oklahoma, she began her musical career with her family’s group, the Singing McEntires. After signing with PolyGram/Mercury Records in 1975, McEntire quickly rose in the country music industry, earning numerous chart-topping hits and awards. Beyond her musical achievements, she demonstrated her versatility by starring in the television sitcom “Reba,” which aired from 2001 to 2007.

Darius Rucker’s musical path is equally impressive. Born in 1966 in Charleston, South Carolina, he first gained fame as the lead singer of the rock band Hootie & the Blowfish. The band’s debut album, “Cracked Rear View,” became one of the best-selling albums of all time. In 2008, Rucker transitioned to country music, releasing his first country album “Learn to Live,” which produced several No. 1 singles and established his presence in the genre.

Their collaboration on “In the Ghetto” was more than just a tribute; it was a fusion of two unique yet harmonious voices. The minimalist arrangement allowed their vocals to take center stage, offering a fresh take on the classic. The performance received widespread praise, with many commending their heartfelt delivery and the song’s ongoing relevance.

Choosing “In the Ghetto” was particularly meaningful given the socio-political environment of 2020. The song’s themes of systemic poverty and its effects mirrored the contemporary conversations on social justice and inequality. By revisiting this classic, McEntire and Rucker connected the past with the present, reminding audiences of music’s power to address societal issues.

After the live performance, McEntire and Rucker released a studio version of their duet, making it accessible on various streaming platforms. This allowed fans to relive the performance and introduced the song to a new audience, ensuring its message continued to be heard.

Both artists have continued to progress in their careers. McEntire has expanded her ventures to include a clothing line and a restaurant, showcasing her entrepreneurial side. Rucker, meanwhile, has been working on new music that blends his rock background with country influences, highlighting his versatility as an artist.

Their joint performance at the CMA Awards exemplifies the enduring power of music to bring people together and inspire. By honoring Mac Davis and performing “In the Ghetto,” McEntire and Rucker not only paid tribute to a musical legend but also underscored the timeless nature of songs that speak to the human experience.

As the music industry evolves, performances like this remind us of the genre’s rich history and its ability to tackle important societal issues. McEntire and Rucker’s version of “In the Ghetto” is a prime example of how artists can use their platforms to reflect and influence the world around them.

For those who missed the live event, the studio version provides an opportunity to experience their collaboration’s magic. It’s a track that honors the past while addressing the present, encouraging listeners to contemplate the stories that shape our society.

By revisiting “In the Ghetto,” McEntire and Rucker have ensured that Mac Davis’s legacy lives on, demonstrating the power of storytelling through music and its ability to foster empathy and understanding across different generations.